Feint of Heart: Art Writings: 1982–2002
by Dave Hickey (Author), Jarrett Earnest (Introduction)
From the legendary and iconoclastic critic Dave Hickey, a collection of twenty of his most emblematic essays on art.
“We really don’t need to know the aesthetic and moral parameters of a work to love it—only to know they are there.” —Dave Hickey
The late Dave Hickey was a singular voice on art, music, democracy, and culture. Known for his radical criticism, he united different worlds through a range of literary styles and techniques to ultimately explore what it means to be human. Complementing his iconic collections Air Guitar and The Invisible Dragon, Feint of Heart unites twenty of Hickey’s characteristically astute essays on art from over twenty years, most of which were originally published in exhibition catalogues that are long out of print. The result is a volume that shows the writer at his most creative and incisive in an ever-relevant exploration of beauty and value. Compiled and with an introduction by the writer and critic Jarrett Earnest, and featuring cover art by Ed Ruscha, this latest book is ideal for cult followers and new readers of Hickey, for artists and art critics, and for thinkers across all disciplines.
Including essays on Terry Allen, Karen Carson, Sarah Charlesworth, Vija Celmins, Vernon Fisher, Robert Gober, Ann Hamilton, Luis Jiménez, Hung Liu, Josiah McElheny, Elizabeth Peyton, Lari Pittman, David Reed, Bridget Riley, Norman Rockwell, Ed Ruscha, Steve Schapiro, Richard Serra, and Andy Warhol, as well as Hickey’s 2002 text “Buying the World,” which he later edited for inclusion in the revised edition of The Invisible Dragon.
“As a writer, Dave is a deep stylist, one of the best in the language. He uses style to tell truths otherwise inaccessible. You can’t separate his meaning from the timbre of his prose, whose repertoire includes plain American (which dogs and cats can understand, as Marianne Moore noted), philosophical precision, polemical scorched earth, and defrocked scholarly mandarin. His arguments are places of the heart: bright pastures or dark alleys where you are accompanied by a voice explaining things you suddenly feel you always knew.” —Peter Schjeldahl