by Kathryn E. Delmez (Editor), Tiffany E. Barber (Contributor), Anita N. Bateman (Contributor), Valerie Cassel Oliver (Contributor), Patricia Hills (Contributor), Maria Elena Ortiz (Contributor), Richard J. Powell (Contributor), Rebecca VanDiver (Contributor), Chase Williamson (Contributor), Fisk University students (Contributor)

Multiplicity: Blackness in Contemporary American Collage is the first major museum exhibition devoted to exploring the breadth and complexity of Black identity and experiences in the United States through collage. Works by multiple generations of living artists examine concepts such as cultural hybridity, gender fluidity, historical memory, and notions of beauty and power.

By assembling pieces of paper, fabric, and repurposed materials, the artists create unified compositions that express the endless possibilities of Black-constructed narratives within a fragmented society. The artists range from established luminaries to early- and mid-career figures, including Mark Bradford, Lauren Halsey, Rashid Johnson, Kerry James Marshall, Wangechi Mutu, Jamea Richmond-Edwards, Deborah Roberts, Tschabalala Self, Lorna Simpson, Devan Shimoyama, and Mickalene Thomas. Multiplicity also features notable artists who are closely identified with the city of Houston, such as Tay Butler, Jamal Cyrus, Rick Lowe, and Lovie Olivia.

This groundbreaking exhibition brings attention to the richness of collage as an art form. Building upon the legacy of African American artists such as Romare Bearden, Jacob Lawrence, Faith Ringgold, and Betye Saar, contemporary artists make collages in an array of ways, from traditional cutting and pasting to creating works digitally. Arthur Jafa takes digital collage a step further, gathering highs and lows of Black experiences into his poignant video montage Love Is the Message, The Message Is Death.